Dogradnja koju su uz tri desetljeća staru obiteljsku kuću u predgrađu Velenja koncipirali arhitekti Aleksandra Dolenec i Gregor Gojević, a dozidana je prije tri godine, jest olakšanje samo po sebi: ona je samo stambeni
objekt koji očito ne želi biti ništa drugo do promišljen, skroman i nenametljiv okvir unutarnjeg prostora. Prostora koji je ugodan i ljudima koju u njemu žive i okolini
u kojoj se nalazi.
Njihovu arhitekturu poimam kao olakšanje ponajprije zato što je sušta suprotnost našoj obiteljskoj gradnji koja je u velikoj mjeri
uništila sliku slovenskog
krajobraza. Kuće su to preskupe i prevelike, često loše i bahato oblikovane, obično nefunkcionalne
i uglavnom tehnički zastarjele. Jednostavan, rekli bismo gotovo anoniman drveni sanduk, u takvom je tipičnom okolišu slovenskih obiteljskih kuća začudan.
Atraktivan je upravo u svojoj različitosti, u smirujućoj strogosti pravilne geometrije. Svjedoči o smionosti i odlučnosti arhitekata
što se očito mogu ostvariti tek
kada se na|u investitor i projektant “u jednoj osobi”.
(...)

An annex conceived by architects Aleksandra Dolenec and Gregor Gojevi} to stand
next to the three-decade old family house in the Velenje suburbs, and built three years ago, is a relief in itself: it is
just a family house that obviously wishes to be nothing more than a well thought-out, modest and constrained framework for the interior space. A space that is comfortable
both for the people who live
there and the surroundings in which it stands.
I apprehend their architecture
as a relief primarily because it
is a contrariety to the construction of our family houses which mainly destroy
the image of the Slovenian countryside. Houses are too expensive and too big, often badly and arrogantly designed and, as usual, non-functional and mostly technically old-fashioned. A simple, almost anonymous wooden case is strange for such typical surroundings of Slovenian
family houses. It is attractive precisely because of its dissimilarity, a relieving rigidity
of Euclidean geometry. It bears witness to the defiance and decisiveness of the architects, which can obviously only be realised when the client and the designer meet in the same person.
(...)