Prizidek k tri desetletja stari enodružinski hiši, ki je bil zgrajen pred tremi leti v predmestju Velenja in sta ga zasnovala arhitekta Aleksandra Dolenec in Gregor Gojević, je svojstveno olajšanje: je
le stanovanjski objekt, ki očitno ne želi biti nič drugega kot premišljen, skromen in zadržan okvir
notranjega prostora. Prostora, ki
je prijazen tako ljudem, ki v njem prebivajo, kot okolju v katerem stoji.
Njuno arhitekturo vidim kot
olajšanje predvsem zato, ker je to pravo nasprotje naše enodružinske gradnje, ki je v veliki meri uničila podobo slovenske krajine. To so hiše, ki so predrage in prevelike, pogosto slabo in bahavo oblikovane, običajno tudi nefunkcionalne in večinoma tehnično zastarele. Enostaven, lahko bi rekli skoraj anonimen lesen zaboj, je v takšnem, tipičnem okolju
slovenskih enodružinskih hiš presenetljiv. Je atraktiven prav v
svoji drugačnosti, v pomirljivi strogosti pravilne geometrije. Kaže na pogum in odločnost arhitektov,
ki se očitno lahko uresničita le tedaj, ko se znajdeta investitor in projektant "v eni osebi".
(...)

An annex conceived by architects Aleksandra Dolenec and Gregor Gojevi} to stand
next to the three-decade old family house in the Velenje suburbs, and built three years ago, is a relief in itself: it is
just a family house that obviously wishes to be nothing more than a well thought-out, modest and constrained framework for the interior space. A space that is comfortable
both for the people who live
there and the surroundings in which it stands.
I apprehend their architecture
as a relief primarily because it
is a contrariety to the construction of our family houses which mainly destroy
the image of the Slovenian countryside. Houses are too expensive and too big, often badly and arrogantly designed and, as usual, non-functional and mostly technically old-fashioned. A simple, almost anonymous wooden case is strange for such typical surroundings of Slovenian
family houses. It is attractive precisely because of its dissimilarity, a relieving rigidity
of Euclidean geometry. It bears witness to the defiance and decisiveness of the architects, which can obviously only be realised when the client and the designer meet in the same person.
(...)