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ZNAMO
SE POGOVARJATI
Konec letošnje pomladi je v Slovenijo pljusknil val natečajev
za oblikovanje vizualnih rešitev neštetih pomembnih dogodkov,
obletnic in kampanj. Priložnost, ki je kot nalašč za veliki preboj
in vrtoglav zaslužek? Ne za Studio Botas, za skupino grafičnih
oblikovalcev, ki je navidezni šarm visoko donečih javnih natečajev
potisnila vstran in je namesto tega vse svoje sile vpela v graditev
pristnih odnosov z neposrednimi naročniki iz krvi in mesa.
KEMIJA
ODLOČA
"Gre za presenečenje: na začetku projekta nikoli ne vemo,
v kaj se spuščamo. Šele na podlagi analize uporabnika pridemo
do tega,
kakšen naj bo izdelek," razmišlja Boštjan Botas Kenda, medtem
ko udobno umeščen v sedežno garnituro grizlja pražene mandlje.
Soba, v kateri smo parkirani, je nekakšna dnevna soba grafične
firme StudioBotas in je namenjena vsakodnevnim brainstormingom
ter poslovnim sestankom. Skratka prostor, ki je narejen zato,
da bo udoben. Okrog pisane družine sedežnih garnitur stojijo stene,
na njih pa portfolio, vsem obiskovalcem studia serviran "plakatni"
best of studia. V tej množici podob in oblik se človek izredno
težko počuti 'poslovno', 'napeto' ali pa recimo 'stresno' in zdi
se, da je bil to tudi osnovni namen tistih, ki so prostor urejali. (...)
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WE
CAN TALK
This late spring Slovenia saw a tide of design competitions for
various important events, jubilees, and campaigns. One of those
great chances to make a great breakthrough and a head-spinning
profit? Perhaps, but not for Studio Botas, a group of visual designers
who have pushed aside what seem to be appealing public competitions,
and put their heads together to establish genuine relationships
with flesh-and-blood customers.
IT’S ALL DOWN TO CHEMISTRY
“Unpredictability is the key word here; when a project starts
we do not know what we are getting into. Only after we study the
customer can we arrive at what the product should be like” says
the founder of the studio Bo{tjan Botas Kenda, sitting comfortably
on his sofa and nibbling on fried almonds. The room
we “parked in” is, in a way, the living room of this graphic studio.
It serves for everyday brainstorming and business meetings, that
is, it is comfortable. The furniture is miscellaneous, and is
surrounded by walls showing the studio’s portfolio, that is, a
selection of the best billboards. It is very unlikely for anyone
surrounded by this multitude of faces and forms to behave in a
“strictly business-like” manner or to be anxious or “stressed
out”. This seems to have been the intention of those who made
the room look this way.
(...)
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