Plato človeštva ali refleksijo človeške eksistence h kateri kliče letošnji direktor 49. Mendarodnega bienala sodobne umetnosti v Benetkah, Harald Szeemann, je v umetniških delih zadnjih desetih let moč videti skozi estetsko materializacijo ali pa kot način razkrivanja resnice, kot svetlo ali temno plat. 1.svetovni kongres seksualnih delavce in novega parazitizma, je kot umetniški
projekt predstavil slovenski umetnik Tadej Pogačar in P.A.R.A.S.I.T.E. Muzej sodobne umetnost. Svojo
ost pa je uperil naravnost v jedro družbenega sprenevedanja in kolektivne potlačitve. Projekt je
eden od treh po izboru kustosinje in komisarke slovenskega paviliona v Benetkah, Aurore Fonda.
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The Plateau of Humankind,
that is, reflections on human existence, to which we are invited by Harald Szeemann,
the director of the 49th International Art Exhibition in Venice, has been present in
the works of art of the last decade as an aesthetic materialisation or as a
revelation of the truth – as the light and the dark side. The 1st World Congress of Sex
Workers and New Parasitism is an art project presented by the Slovene artist Tadej Pogačar
and the P.A.R.A.S.I.T.E. Museum of Contemporary Art. He points his critical sting to
the heart of social spuriousness and collective oppression. This project is one of the three selected by Aurora Fonda, the curator and the official representative of the Slovene pavilion in Venice.
(...)