Godine 1983. počeo se u kinodvoranama vrtiti filmski hit Flashdance. Sladunjava priča o djevojci “metalki” iz Pittsburga. Zavarivačici, čija poglavita strast teži, dakako, nečem drugom, naime plesu. Uspješno nastupa na audiciji, primljena je u baletnu trupu. Sve dodatno “pokriva” još i ljubavni happy end. Socijalna tema o životu radnice metalne struke doslovno se udružuje s glamourom Porschea. I slijedi završna špica.
Bile su to, dakako, 80-te koje su, čini se, općenito bile prilično jednostavne ili barem pojednostavljene godine. U filmu, literaturi te, naravno, i u arhitekturi. To, izgleda, naročito vrijedi za urbanizam ili za tada često rabljeni termin – arhitekturu grada. Mnoštvo zabluda te poopćavanja koje je to pojednostavljeno razumijevanje “arhitekture grada” donosilo u slovenski arhitektonski milje obilježava i početak arhitektonske priče o šest stambenih objekata (urbanih vila kako smo ih nazivali tih 80-ih godina) u ljubljanskoj suburbiji, u Polju.
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During 1983 the hit movie Flashdance was being shown in the cinemas. It was a cloying story about a working-class girl from Pittsburgh. She was a welder, but her passion was devoted to something entirely different, to dance. During the audition for a ballet troupe she was successful and she was accepted. In the end everything is perfect since a film concludes with a happy ending to the love story as well. The social topic of the welding profession is directly connected to the glamour of Porsche. And the film ends.
Those were the eighties, which seemed to be rather simple ages in general or at least simplified years. They were like that in film, in literature, and of course in architecture. It seems that this can be especially applied to urban planning, or to make use of the term often used in those times – city architecture. The numerous misconceptions and generalizations which simplified city architecture brought into Slovenian architectural milieu mark the beginning of the architectural story of the six residential buildings (or urban villas as they called them during the eighties) located in Polje, a suburb of Ljubljana.
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