Če bi se odločili sodobni kiparski produkciji poiskati skupni imenovalec, bi se nedvomno hitro znašli na spolzkih tleh, izgubljeni v oceanu praks, slogov, medijev in genealogij. Poleg tega se zdi, da so tako umetnostne razstave, ki spremljajo razvoj vizualne scene, kakor strokovnjaki s področja vizualne kulture obupali nad iskanjem odgovora, kaj je kiparstvo danes in do kod segajo njegove družbene oziroma fizične meje.
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If we tried to seek a common denominator for contemporary sculptural production, we would undoubtedly find ourselves in a dilemma, lost in an ocean of practices, styles, media and genealogies. Besides, it seems that artistic reviews following the development of the visual scene and experts in the field of visual culture have given up searching for the answer to the question of what sculpture is today and what its social and physical limits are.
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