Pisanje o arhitekturi Françoisa Rochea, Stéphanie Lavaux i njihova pariškog ureda R&Sie(n), koji svakih nekoliko godina namjerno mijenja ime kako bi naglasio svoje neslaganje s brendiranjem i ukazao na kameleonsku strategiju kao važno načelo u svojoj praksi, možda bi vrijedilo započeti mimikriranjem. Pretpostavljam da nije velika hereza (izgovor imena ureda R&Sie(N) upravo tako zvuči hérésie) pritajiti se u koži neke od čudovišnih životinja Boschova "Vrta zemaljskih naslada" i nevino promatrati što se to zbiva "tamo dolje" u Roche/Lavaux vrtu. I sam čelni čovjek heretičnog ureda Roche visoko vrednuje "poremećaj osobnosti", vidješi upravo u njemu mogućnost arhitektove infiltracije i neprestane mijene i transformacije.
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Perhaps it would be worthwhile to start writing on the architecture of François Roche, Stéphanie Lavaux and their Paris bureau R&Sie(n), which deliberately changes its name every few years in order to emphasize its dissent in terms of branding, but also to point out the chameleon strategy as an important principle in their practice, by mimicry. I assume it is no major heresy (the pronunciation of the bureau name of R&Sie(N) sounds precisely so -hérésie) to lurk in the flesh of some of monstrous animals of The Garden of Earthly Delights by Bosch and to gaze innocently at what goes on "down there" – in the garden of Roche/Lavaux? The very head of the heretic bureau, Roche, highly appreciates the "personality disorder", seeing exactly there the possibility for an architect’s infiltration and constant change and transformation.
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