Ishodište, polazna točka uzbudljivog procesa projektiranja može biti opsesivna forma, program, funkcionalna analiza, a vrlo često i samo mjesto. Može se pritom raditi o kontekstualnosti u najširem smislu: o građenom okolišu, topografiji, memoriji mjesta. Lokacija Državnog arhiva u Sisku baš nikako ne izgleda kao da bi mogla djelovati poticajno. Arhitekti Nenad Kondža i Irena Vitasović ipak su u tom skromnom, pa djelomice i devastiranom okolišu, našli motive kontekstualnosti svog projekta. Nepogodu pretvoriti u prednost osobina je angažiranih, relevantnih arhitekata.
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The starting point, the origin of the exciting process of designing can be an obsessive form, a programme, functional analysis, and very often the location itself. This can also be about contextuality in the widest sense: about the built environment, topography, the memory of the place. The location of the State Archives in Sisak does not seem inspiring at all. The architects Nenad Kondža and Irena Vitasović nevertheless found the motives for the contextuality of their project in these modest, even partly devastated surroundings. To turn disadvantage into advantage is a characteristic of engaged, relevant architects.
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